{"id":10841,"date":"2016-09-10T15:13:03","date_gmt":"2016-09-10T15:13:03","guid":{"rendered":"http:\/\/skaftfell.avistaserver.com\/?p=10841&lang=en"},"modified":"2020-05-12T10:08:13","modified_gmt":"2020-05-12T10:08:13","slug":"an-image-of-you","status":"publish","type":"post","link":"https:\/\/archive.skaftfell.is\/en\/an-image-of-you\/","title":{"rendered":"An image of you"},"content":{"rendered":"

Solo exhibition by Icelandic artists Sigur\u00f0ur Atli Sigur\u00f0sson.
\nCurator Gavin Morrison.<\/p>\n

Sigur\u00f0ur Atli Sigur\u00f0sson (b. 1988) is unusually attentive to those incidental moments and structures of modern life within which we leave an oblique trace of our presence.<\/p>\n

The back wall of the gallery at Skaftfell is filled with seventy-five framed drawings. Their primary colours and geometric appearance may suggest the austere forms of minimalism\u2014art that decries the presence of gesture and the human touch. But within each of the apertures is a scribble. The simplest gesture made absentmindedly while engaged in another task or pragmatically in trying to make the ink flow in a pen. They are actions which are on the edge of becoming a drawing, where intention has not yet surfaced.<\/p>\n

Elsewhere in the gallery is a series of photographs, formally composed and professionally shot but the subjects are unusually turned from the camera. Only the back of the head and the most glancing presence of a profile is visible. Sigur\u00f0sson has taken the convention of the hair salon photograph, those images found on posters in hairdressers that show the styles available. As such the individual in the photograph is not quite the subject of the photograph.
\nAnd as a final gesture\u2014a type of punctuation mark\u2014is a print of a mountain shape with the word \u201cok\u201d below. It could be a declarative question, an inquiry to our well-being or a statement of reassurance. But it is also the name of a disappearing glacier in Iceland. Ok is not ok. Giving things names, that most fundamentally of human gesture in which we make sense of the world, sometimes allows unintentional meanings to form too.<\/p>\n

Bio<\/h3>\n

Sigur\u00f0ur Atli Sigur\u00f0sson<\/a> lives and works in Reykjav\u00edk.\u00a0 After graduating from The Icelandic Academy of the Arts in 2011 he went on to obtain his MA with highest honors from \u00c9cole d’Art et de Design Marseille-M\u00e9diterran\u00e9e in 2013.\u00a0 Sigur\u00f0ur has participated in a number of exhibitions since graduation such as; Do Disturb – Palais de Tokyo, Paris 2016,\u00a0 Subversion of the Sensible – Fabbrica del Vappore – Milano, 2014,\u00a0 Feldstarke – Kyoto Art Center – Kyoto, Japan, 2014 og Sleeper Horses – in collaboration with Erin Gigl (US) – Galler\u00ed \u00dathverfa, \u00cdsafj\u00f6r\u00f0ur, 2014.\u00a0 Recently Sigur\u00f0ur Atli has been teaching at the Reykjav\u00edk School of Visual Arts and The Icelandic Academy of the Arts where he is in charge of the printmaking studio.<\/p>\n

\"\/www\/wp<\/p>\n

\"SL_austurland\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Solo exhibition by Icelandic artists Sigur\u00f0ur Atli Sigur\u00f0sson. Curator Gavin Morrison. Sigur\u00f0ur Atli Sigur\u00f0sson (b. 1988) is unusually attentive to those incidental moments and structures of modern life within which we leave an oblique trace of our presence. The back wall of the gallery at Skaftfell is filled with seventy-five framed drawings. Their primary colours and geometric appearance may suggest the austere forms of minimalism\u2014art that decries the presence of gesture and the human touch. But within each of the apertures is a scribble. The simplest gesture made absentmindedly while engaged in another task or pragmatically in trying to make [\u2026] <\/p>\n

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