{"id":10986,"date":"2005-08-20T16:11:47","date_gmt":"2005-08-20T16:11:47","guid":{"rendered":"http:\/\/skaftfell.avistaserver.com\/en\/?p=6725"},"modified":"2020-07-02T13:52:17","modified_gmt":"2020-07-02T13:52:17","slug":"hills-and-drawings","status":"publish","type":"post","link":"https:\/\/archive.skaftfell.is\/en\/hills-and-drawings\/","title":{"rendered":"HILLS AND DRAWINGS"},"content":{"rendered":"<h4>Main Gallery<\/h4>\n<p>20.08. &#8211; 18.09.2005<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/archive.skaftfell.is\/en\/wp-content\/uploads\/2005\/08\/20130809_carl_poster_heimas.jpg\" rel=\"attachment wp-att-6729\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-6729\" title=\"carl_poster_heimas\" src=\"https:\/\/archive.skaftfell.is\/en\/wp-content\/uploads\/2005\/08\/20130809_carl_poster_heimas.jpg\" alt=\"\" width=\"453\" height=\"640\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>The painter Carl Fredrik Hill went crazy in Paris 1878.<\/p>\n<p>He was a respected artist with a great ambition to win the Grand Prix at the Paris Saloon. Having been dismissed four years in a row, the void between ambition and reality possibly triggered the development of a paranoid schizofrenic psycosis.<\/p>\n<p>His last works, obscene in motif and painted entirely in prussian blue and cadmium yellow, were destroyed by his collegues in order to preserve his reputation as a \u00c2\u0094respectable landscapepainter.\u00c2\u0094\u00c2\u00a0 According to himself, works like these had never been made before.<\/p>\n<p>After a transfer to his parents home in Lund in southern Sweden he created an amazing ouvre of drawings on four sheets of paper that he was given every day.<\/p>\n<p>He never painted again and never went far from home.<\/p>\n<p>&nbsp;<\/p>\n<p>Hills and drawings is my tribute to Carl Fredrik Hill.<\/p>\n<p>It contains paintings made in prussian blue and cadmium yellow alongside drawings of my everyday life.<\/p>\n<p>&nbsp;<\/p>\n<p>CARL BOUTARD<\/p>\n<p>&nbsp;<\/p>\n<p>EDUCATION:<\/p>\n<p>2001-2004\u00c2\u00a0 Reykjavik Academy of the Arts, Bachelordegree in Visual arts<\/p>\n<p>1996-2005\u00c2\u00a0 Kungliga Tekniska H\u00c3\u00b6gskolan, Bachelordegree in Architecture<\/p>\n<p>1999-2001\u00c2\u00a0 Konstskolan Idun Lov\u00c3\u00a9n, sculpture dept.<\/p>\n<p>&nbsp;<\/p>\n<p>WORKSHOPS:<\/p>\n<p>2004\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 Wolfgang M\u00c3\u00bcller &#8211; The Golden Cut<\/p>\n<p>2004\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 Bj\u00c3\u00b6rn Roth- Seydisfj\u00c3\u00b6rdur workshop<\/p>\n<p>2004\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 Roni Horn &#8211; formulating a critical vocabulary<\/p>\n<p>2003\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 Who\u00c2\u00b4s the Storyteller? Royal collage of art,\u00c2\u00a0 Stockholm<\/p>\n<p>2001\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 Cultural Studies 3 Malm\u00c3\u00b6 Art Academy.<\/p>\n<p>&nbsp;<\/p>\n<p>EXHIBITIONS:<\/p>\n<p>2005\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 Hills and drawings, Skaftfell Menningarmidst\u00c3\u00b6d, Seydisfj\u00c3\u00b6rdur.<\/p>\n<p>2004\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 Inner Station, KlinKogBank, Reykjavik.<\/p>\n<p>The Pine Tree Workshop, Torstrasse 111, Berlin.<\/p>\n<p>2002\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 Wasteland, Galleri Nema Hvad, Reykjavik.<\/p>\n<p>Writing an Essay on surrealism while waiting for the snow. LHI, Reykjavik.<\/p>\n<p>2001\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 \u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0Whiteboy, Galleri Scraatchi, Malm\u00c3\u00b6 Art Academy.<\/p>\n<p>&nbsp;<\/p>\n<p>GROUPSHOWS<\/p>\n<p>2005\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 Augnablik fr\u00c3\u00a1 Reykjavik, Brick 5, Wien<\/p>\n<p>Grasr\u00c3\u00b3tin, Living art museum, Reykjavik<\/p>\n<p>Purgatory, Living art museum, Reykjavik<\/p>\n<p>Signal in the heavens, Gallery Boreas, New York.<\/p>\n<p>2004\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 Nordur og nidur, Nordens Hus, Reykjavik.<\/p>\n<p>Dieter Roth Academy, L\u00c3\u00bcbeck<\/p>\n<p>Frumskog, KlinKogBank, Reykjavik.<\/p>\n<p>Cuts from Reykjavik, Friseur Beige, Berlin.<\/p>\n<p>LHI Examensutst\u00c3\u00a4llning, Listasafn Reykjavikur.<\/p>\n<p>Rj\u00c3\u00b3mskip, Skaftfell Kulturcenter, Seydisfj\u00c3\u00b6rdur.<\/p>\n<p>Signal in the heavens, Torstrasse 111, Berlin.<\/p>\n<p>2003\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 UdK Rundgang, Berlin.<\/p>\n<p>2002\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 Mengerzeile Haus Salon, Berlin.<\/p>\n<p>2001\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 SIE p\u00c3\u00a5 Laugarvegur, Reykjavik.<\/p>\n<p>Galleri Kretsen, S\u00c3\u00b6dert\u00c3\u00a4lje.<\/p>\n<p>&nbsp;<\/p>\n<p>SCHOLARSHIPS:<\/p>\n<p>2005\u00c2\u00a0 Sleipnir travelgrant<\/p>\n<p>2000\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0\u00c2\u00a0 MEM\u00c2\u00b4s scholarship for draughtsmen, Sveriges Arkitekter (SA)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Main Gallery 20.08. &#8211; 18.09.2005 &nbsp; The painter Carl Fredrik Hill went crazy in Paris 1878. He was a respected artist with a great ambition to win the Grand Prix at the Paris Saloon. Having been dismissed four years in a row, the void between ambition and reality possibly triggered the development of a paranoid schizofrenic psycosis. His last works, obscene in motif and painted entirely in prussian blue and cadmium yellow, were destroyed by his collegues in order to preserve his reputation as a \u00c2\u0094respectable landscapepainter.\u00c2\u0094\u00c2\u00a0 According to himself, works like these had never been made before. After a [\u2026] <\/p>\n<div class=\"clear\"><\/div>\n<p><a class=\"more_link clearfix\" href=\"https:\/\/archive.skaftfell.is\/en\/hills-and-drawings\/\" rel=\"nofollow\">Read More<\/a><\/p>\n","protected":false},"author":12,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[179,233,86],"tags":[],"class_list":["post-10986","post","type-post","status-publish","format-standard","hentry","category-2005-en","category-past-exhibitions-and-events","category-pastprogram"],"_links":{"self":[{"href":"https:\/\/archive.skaftfell.is\/en\/wp-json\/wp\/v2\/posts\/10986"}],"collection":[{"href":"https:\/\/archive.skaftfell.is\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.skaftfell.is\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.skaftfell.is\/en\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.skaftfell.is\/en\/wp-json\/wp\/v2\/comments?post=10986"}],"version-history":[{"count":0,"href":"https:\/\/archive.skaftfell.is\/en\/wp-json\/wp\/v2\/posts\/10986\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.skaftfell.is\/en\/wp-json\/wp\/v2\/media?parent=10986"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.skaftfell.is\/en\/wp-json\/wp\/v2\/categories?post=10986"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.skaftfell.is\/en\/wp-json\/wp\/v2\/tags?post=10986"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}