{"id":16227,"date":"2020-06-02T21:51:48","date_gmt":"2020-06-02T21:51:48","guid":{"rendered":"https:\/\/archive.skaftfell.is\/?p=16227"},"modified":"2023-04-01T04:55:49","modified_gmt":"2023-04-01T04:55:49","slug":"ingibjorg-sigurjonsdottir-mon-ciel-mi-cielo-what-do-you-really-mean","status":"publish","type":"post","link":"https:\/\/archive.skaftfell.is\/en\/ingibjorg-sigurjonsdottir-mon-ciel-mi-cielo-what-do-you-really-mean\/","title":{"rendered":"Ingibj\u00f6rg Sigurj\u00f3nsd\u00f3ttir: Mon ciel, mi cielo. What do you really mean?"},"content":{"rendered":"

June 17 – September 6th, 2020<\/span><\/p>\n

Skaftfell Center for Visual Art\u2019s summer exhibition will be with the Reykjavik based artist Ingibj\u00f6rg Sigurj\u00f3nsd\u00f3ttir (b. 1985). For this project she has chosen to show–alongside her own drawings, digital prints and small scale sculptures–the work of Benedikt Gu\u00f0mundsson (1907-1960), whose modernist paintings and ceramics she grew up around.\u00a0<\/span><\/p>\n

Ingibj\u00f6rg Sigurj\u00f3nsd\u00f3ttir\u2019s works are concerned with \u2018the basic gesture of making art and the fundamental building blocks of it – line, colour, composition\u2019 but have the sense of being part of a narrative which is only glimpsed in fragments. The title of the exhibition comes from a text written by Ingibj\u00f6rg, in which she says \u2018meaning hides undiscovered in insignificant things\u2019. Ingibj\u00f6rg\u2019s attention is to the slight gestures in drawing and the passed over details of everyday life.\u00a0<\/span><\/p>\n

Her choice to pair her own work with that of Benedikt Gu\u00f0mundsson’s concerns a shared attention to the basic nature of art making but also, for Ingibj\u00f6rg, his life and work is a representation of time, distance and absence which relates to all creative practices. For Ingibj\u00f6rg \u2018there is something beautiful about the dedication of all artists, making work which will most likely become forgotten and then lost. There is a beauty of making all of this work for the great vastness of oblivion\u2026 something in me finds it rather interesting and beautiful. It has something to do with the core of why we make any work in the first place and what it means to be an artist.\u2019<\/span><\/p>\n

Ingibj\u00f6rg was born in 1985 and obtained a BA degree from the Iceland Academy of the Arts, Fine Arts dept. in 2010. She currently lives and works in Reykjav\u00edk, and is a board member of the artist run Kling & Bang gallery, Reykjav\u00edk. She has exhibited extensively with exhibitions in: Reykjavik, Isafjordur, Miami, Basel and Vienna. She has also curated various exhibitions for Kling & Bang as well as Reykjavik Art Museum.<\/span><\/p>\n

Benedikt Gu\u00f0mundsson was a prolific artist born in Reykjav\u00edk in 1907. As a young man he was sent to Germany and Denmark to study the practical trade of butchery but used his time to take courses in visual art and visit museums. He made bold paintings, delicate pastel drawings and was an amateur photographer. He ran one of the first ceramics workshops in Iceland, Sj\u00f3narh\u00f3ll (1947-1952), where he designed and painted much that was produced there, using locally sourced clay. After a long day at his butcher shop he would dedicate the nights to his artwork. A circle of professional and amateur artist friends met regularly to discuss art and make paintings on their laps in the living room of Benedikt\u2019s family\u2019s small apartment. Frequent visitors included: Gunnlaugur Scheving, J\u00f3hannes P\u00e1lsson, J\u00f3hann Sigur\u00f0sson and \u00deorvaldur Sk\u00falason. \u00deorvaldur instructed Benedikt in his art for some time.<\/p>\n

In his lifetime he had solo exhibitions at Listamannask\u00e1linn, Mokkakaffi and Safnah\u00fasi\u00f0 and was working on an exhibition before his death in 1960, at age 53. His friends and family completed his plans by organizing an exhibition at Bogasalur in the National Museum where visitors could see, to quote the exhibition\u2019s catalogue, \u201cthe fruit of his wakeful nights and artistic dreams, after the bourgeois had gone to bed\u201d.<\/p>\n

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 <\/p>\n","protected":false},"excerpt":{"rendered":"

June 17 – September 6th, 2020 Skaftfell Center for Visual Art\u2019s summer exhibition will be with the Reykjavik based artist Ingibj\u00f6rg Sigurj\u00f3nsd\u00f3ttir (b. 1985). For this project she has chosen to show–alongside her own drawings, digital prints and small scale sculptures–the work of Benedikt Gu\u00f0mundsson (1907-1960), whose modernist paintings and ceramics she grew up around.\u00a0 Ingibj\u00f6rg Sigurj\u00f3nsd\u00f3ttir\u2019s works are concerned with \u2018the basic gesture of making art and the fundamental building blocks of it – line, colour, composition\u2019 but have the sense of being part of a narrative which is only glimpsed in fragments. The title of the exhibition comes [\u2026] <\/p>\n

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